Thursday, March 17, 2011
Earthquake, etc.
March 11, about 3:30 pm, I was at the hospital for a regular checkup. I'd just paid my bill and received my chit for meds, which I took to the hospital pharmacy. The meds weren't ready. I started to sit down when the building started to shake. That's nothing unusual in Japan. Happens quite often. But the shaking didn't quit. I walked quickly down the hall and outside on the ground floor smoker's deck. The shaking increased. I had to grab an iron post to stay upright. The steel walkway between the emergency ward and the hospital wards twisted and crackled. The van parked in front of the open space where I stood literally danced. The shaking and dancing went on for a good minute. The hospital didn't fall on my head.
Back at the pharmacy, meds were all over the floor. Took the pharmacists another 15 minutes to put mine together. I was last for the afternoon.
Outside, my car was still in one piece. A broken sewer line was spewing water onto the parking lot at the south end. A line from the big diesel fuel tank was broken, too. Maintenance people rushed to attend to the leaking fuel.
I tried to call my wife, but Japan, for some reason, turns all cell phone carriers off when there's a major earthquake. I've never heard a convincing argument on what that happens. Hoping all was well at home, I started the 10-minute drive.
The hospital is located on reclaimed land, which stretches out into Tokyo Bay about five kilometers from the former shoreline. Lots of liquefaction. Some buildings canted. Water seeping out here and there. But the roads were open and the traffic lights worked. I drove over the overpass and up the hill to high ground. On the way, I pulled over once to wait out a strong aftershock. People were already crowding into 7-Eleven to start buying up supplies.
At home, some books were off shelves, one mirror was broken, but nothing major. It felt good to live on high ground.
I didn't sleep that night. Aftershocks were scary. Coverage of the problems at the nuclear plant was on all TV channels. Videos of tsunami washing away entire towns. People crying out, screaming as their houses were swept away with them inside, having thought going to the second story would keep them out of the water. Tsunami carrying ships of thousands of tons inland for two or three kilometers. Cars floating as if they were boats. Water covering the runways at the Sendai Airport, carrying away baggage tractors, trailers, everything.
Nonstop coverage continued the next day. I caught some Zs in the big chair.
Quake epicenters have switched around. The original one that registered 9.0 on the Richter scale was off northeastern Japan seacoast. The next day a 6.8 quake struck in Niigata. Slightly after that, a 6.0 in Nagano, where Japan's last winter Olympics were held. Yesterday, 6.4 on the southern flank of Mt. Fuji. Tonight, 6.4 off the Pacific coast of Chiba, the prefecture in which I live.
I type while watching NTV. They're chronicling the cleanup, the hunt for relatives, the lack of fuel and supplies in the 190 km strip of the Pacific coast that moved 2.4 meters closer to California because of the big quake.
We don't know what will happen with the nukes. We don't know if another monster quake or even a big quake will hit us again before things settle down. We just don't know.
Friday, February 25, 2011
Best course on PACING I've ever seen
Mary Buckham knows her stuff. I'm posting this from her just in case some of you might want to fork over $30 and get sixty-five times that much in useful advice. Mary's really really good.
Charlie
March 1-25, 2011
Pacing: How To Create a Page Turning Manuscript
by Mary Buckham
$30 at www.writeruniv.com
What keeps a book intriguing enough to have fans turn the pages and not set it down? How can one author's books have you riveted and another's leave you feeling ho-hum? Ever wondered if there are key craft tips and techniques to balance fast-paced conflict, tension, suspense or mystery, action and emotion? In PACING: HOW TO CREATE A PAGE TURNING MANUSCRIPT you'll learn:
* The ingredients of a page turner
* What hooks are and how to maximize them
* The power of effective scenes: common pacing pitfalls to avoid
* The ten elements of strong pacing
* How to use subplots and secondary characters
* How to avoid a sagging middle
* What a beat is and how to use it
* Great beginnings and endings that have your readers wanting more!
Mary Buckham is co-author of BREAK INTO FICTION: 11 Steps to Building a Story That Sells and an award-winning Romantic Suspense author. She has hundreds of free-lance articles to her credit, a non-fiction book and is a former Magazine Editor. Currently she presents writing workshops online and around the country. Mary encourages you to visit her website at www.MaryBuckham.com for more information about her and her current writing projects.
Charlie
March 1-25, 2011
Pacing: How To Create a Page Turning Manuscript
by Mary Buckham
$30 at www.writeruniv.com
What keeps a book intriguing enough to have fans turn the pages and not set it down? How can one author's books have you riveted and another's leave you feeling ho-hum? Ever wondered if there are key craft tips and techniques to balance fast-paced conflict, tension, suspense or mystery, action and emotion? In PACING: HOW TO CREATE A PAGE TURNING MANUSCRIPT you'll learn:
* The ingredients of a page turner
* What hooks are and how to maximize them
* The power of effective scenes: common pacing pitfalls to avoid
* The ten elements of strong pacing
* How to use subplots and secondary characters
* How to avoid a sagging middle
* What a beat is and how to use it
* Great beginnings and endings that have your readers wanting more!
Mary Buckham is co-author of BREAK INTO FICTION: 11 Steps to Building a Story That Sells and an award-winning Romantic Suspense author. She has hundreds of free-lance articles to her credit, a non-fiction book and is a former Magazine Editor. Currently she presents writing workshops online and around the country. Mary encourages you to visit her website at www.MaryBuckham.com for more information about her and her current writing projects.
Saturday, February 12, 2011
Thursday, February 10, 2011
Demise of books vastly overstated
Friend and fellow author Mattew Mayo sends word of a healthy book market. Happy reading.
Take a look HERE.
Monday, February 7, 2011
Letter from a reader of Vulture Gold
Hello, Charlie san
I've just finished your book "Vulture Gold".
What a great story it is!
And I'm so glad Havelock made it.
This is the story you wrote last year, right?
I realized when Havelock survived in the desert.
Your stories are always different and I can't tell what's happen next until I've finished it.
That makes me excited.
But this time "Vulture Gold" was difficult to read for me.
There were lots of words I did not know, so I've read with my dictionary.
Even though it took long time, I couldn't stop it because of the characters!
The characters you wrote are always so attractive.
I wanted to make sure if Havelock is happy in the end or not.
So I'm so glad he made it!
And I wanted to say
Thank you so much
for letting me know this great story.
regards, (name withheld to protect privacy)
Thursday, January 27, 2011
Chuck Tyrell book for pocket change . . . or for free
Vulture Gold is now available at most online booksellers. Smashwords, of course, gives you a choice of formats.
Garet Havelock was a Cherokee half-breed and the marshal of Vulture City. But that wasn't enough to stop outlaw kingpin Barnabas Donovan from sending three armed men to rob $100,000 in bullion from the Vulture Mine headquarters, killing two people in the process.
Havelock set out to catch the thieves and recover the gold and in the unforgiving Mohave Desert, Jicarilla Apaches forced Havelock and Donovan's bunch together in a cave on Eagle Eye Mountain. Then there was Laura Donovan, half sister to the outlaw leader . . . .
Now Havelock must survive the Apache "run of death" and face Donovan's gunslingers to get the gold and the girl.
Buy at Smashwords.
Buy at Western Trail Blazers.
If you want a FREE copy, contact me for details.
Monday, January 24, 2011
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